Auditions
The Titusville Playhouse is an equal opportunity employer that celebrates diversity and does not discriminate based on race, religion, color, national origin, sex, sexual orientation, age, veteran status, disability status or any other applicable characteristics protected by law. The Titusville Playhouse is committed to providing access, equal opportunity and reasonable accommodation for individuals with disabilities in its employment, services, programs and activities. We want to meet performers of all backgrounds, identities and abilities, and we encourage you to audition for any role.
General Information
Thank you for choosing to audition for the Titusville Playhouse 2025-2026 season on Acceptd!
PLEASE NOTE: BOTH IN PERSON & VIRTUAL SUBMISSIONS ARE REQUIRED TO FILL OUT AN ONLINE AUDITION FORM PRIOR TO THE AUDITION
(Please note the audition portal closes the final night of each round of auditions at 11:59pm)
IN PERSON AUDITION
- Please select the production(s) to the left under “Start an Application” you are submitting for.
- You are not required to upload audition material when auditioning in person but are welcome to submit additional material on the application.
- In person auditions are at the Titusville Playhouse at 301 Julia Street in Titusville, FL 32796.
- You will enter through the main entrance of the theatre to sign in.
- Main entrance doors open 30 minutes before audition slot to assign audition number. Please sign-up for an audition slot on our Acceptd Portal. Slots are from 6:30-8:15 & 8:15-10:00 both nights.
- You are only required at one evening of auditions. Callbacks are done, when necessary at the discretion of the production team, at the audition or in the following days.
- There WILL be a dance call at in person musical theatre auditions.
- For musicals, please prepare your own 32-bar cut of an appropriate song or you may choose to use a provided audition cut
- An audition accompanist will be provided or you may use instrumental tracks via bluetooth or auxiliary cord.
- For plays, audition sides will be provided.
- Those who are cast will be contacted by the production team directly. All cast lists will be posted here once casting is finalized.
VIRTUAL AUDITION
- Please select the production(s) to the left under “Start an Application” you are submitting for.
- You are required to upload audition material when auditioning in person but are welcome to submit additional material on the application.
- When filling out the application please do so to the best of your ability. Those who are cast will be contacted by the production team directly. All cast lists will be posted here once casting is finalized.
STIPEND POLICY
- Every adult actor will receive a travel stipend at the end of the show’s run with a $1,000 guarantee for Mainstage productions & $500 guarantee for Stage 2 productions.
- Every child actor will receive a $75 scholarship to the Rising Stars education program.
- Titusville Playhouse, when needed and able, will offer Equity guest contracts to members of the union/non-union out-of-town guest artist contracts.
Please call the Titusville Playhouse at 321-268-1125 or email audition@titusvilleplayhouse.com with any audition-related questions. Thank you!
For technical questions, please visit the Acceptd Help Desk.
Audition Dates
September 14: Disney’s Frozen (Children Only at 5:30pm)
September 15, 16 & 17: Disney’s Frozen (Adults Only)
November 9: The Prince of Egypt (Children Only at 5:30pm)
November 10, 11 & 12: Hairspray, The Prince of Egypt, I Love You You’re Perfect Now Change & Honky Tonk Angels
March 23 & 24: Spring Awakening & 1776
(Please note the audition portal closes the final night of each round of auditions at 11:59pm)
Audition Sides
- For musicals, audition sides will be provided with the audition cut mp3, but feel free to prepare your own 32-bar cut of an appropriate song.
*Sides will not be taught at the audition, please familiarize yourself with the mp3 instrumental. - Children must used provided audition cut for the audition.
- An audition accompanist will be provided or you may use instrumental tracks via bluetooth or auxiliary cord.
- For plays, audition sides will be provided at the audition
Show Information
August 1-24, 2025
Mainstage
Directed by Steven J. Heron
Music Directed by Spencer Crosswell
MR. BODDY : Jordyn Linkous
MRS. PEACOCK : Angela Tims
PROFESSOR PLUM : Logan Perrault
MISS SCARLET : Lyric Stratton
COLONEL MUSTARD : Kevin McCaughin
MRS. WHITE : Dennis Pisarz
MR. GREEN : Jacob Ballard
DETECTIVE : Delaney McGough
September 12 – October 12, 2025
Mainstage
Directed by Niko Stamos
Music Directed by Spencer Crosswell
Choreography by Jordyn Linkous
Assistant Choreography by Ciera Livermore
Dr. Frederick Frankenstein: Josh Solomon
The Monster: Collin Stinnett
Igor: Dennis Pisarz
Inga: Edina Minyard
Elizabeth Benning: Mindy Ward
Frau Blücher: Natalie Palmer
Inspector Hans Kemp/Hermit/Assistant: Frank Thompson
Student 1/Man 3/Couple 2/Horse/Villager 2/Dancer/Ludwig: Kip LeBlanc
Student 2/Bertram Batram/Man 1/Villager 1/Couple 1/Horse/Dancer/Dracula: AJ Halsey Student/Steward/Werewolf/Felix/Dancer: Ethan Verderosa
Student 3/Captain/Dancer/Bob: Jacob Ballard
Student/Man 9/Couple 1/Villager 3/Sasha/Dancer: Kara Jean Spindle
Student/Couple 2/Basha/Dancer: Alyssa Rose
Student/Tasha/Dancer: Emma Howard
Student/Villager 6/Masha/Dancer: Makaylah Largent
October 17 – 31, 2025
Stage 2
Directed by Steven J. Heron
Music Directed by Spencer Crosswell
Usherette/Magenta: Angela Tims
Rehearsal Period: October 5 – 16
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.
November 14 – December 21, 2025
Mainstage
(Preview Performances beginning November 7)
Directed by Steven J. Heron & Niko Stamos
Music Directed by Spencer Crosswell
Choreography by Jenna Gilreath
HANS: Seeking male identifying actor to play the ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone – including Anna and, ideally, the audience! – into believing he’s Prince Charming, when really, he’s just a jerk. G2 to B3
BULDA: Seeking a female identifying actor to play one of the mystical leaders of the Hidden Folk who has a soft spot for “strays.” Along with Bulda, these ever-benevolent parental figures want what’s best for Kristoff, even if they are a bit misguided in their efforts.
Rehearsal Period: September 22 – November 6
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.
January 16 – February 15, 2026
Mainstage
Directed by Niko Stamos
Music Directed by Spencer Crosswell
Choreography by Jordyn Linkous
Rehearsal Period: November 16 – January 15
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.
February 13 – 22, 2026
Stage 2
Directed by TBA
Music Directed by Spencer Crosswell
Choreography by TBA
Woman #1: Female. 25-45 years old. Strong vocalist. Will play various roles throughout the show.
Woman #2: Female. 25-45 years old. Strong vocalist. Will play various roles throughout the show.
Man #1: Male. 25-45 years old. Strong vocalist. Will play various roles throughout the show.
Man #2: Male. 25-45 years old. Strong vocalist. Will play various roles throughout the show.
Rehearsal Period: November 24 – February 12
*There is a break between December 1-January 17
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.
March 6 – April 12, 2026
Mainstage
Directed by Steven J. Heron
Music Directed by Spencer Crosswell
Choreography by TBA
A Note from Authors on Casting: From the very beginning of working on The Prince of Egypt theatrical musical, we wanted to tell a universal story that spans all racial and ethnic divides, and so we always felt it was important to have a diverse cast whenever possible. In the various productions up to date, we have had a Sri Lankan Moses, a Filipino Tzipporah, a Palestinian Tzipporah, a black Ramses, a Chinese Keturah, and countless other permutations. The point is that anyone, no matter what their background, can play any role. In many productions, our diverse casts have tripled as Egyptians, Hebrews and Midianites. And in all our productions, we have found that audiences have wholeheartedly embraced and enjoyed this idea of inclusion. That’s a central message of The Prince of Egypt: in the end, when we strip away the circumstances of our birth and upbringing, we are all the same as members of the human race. We hope you will embrace this universal story and make it your own, bringing the musical and the message to your own community. – Philip LaZebnik and Stephen Schwartz
Rehearsal Period: January 18 – March 5
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.
March 20 – 29, 2026
Stage 2
Directed by TBA
Music Directed by Spencer Crosswell
Choreography by TBA
Angela: Female – Mid 30s. A Texas housewife. She has a great sense of humor and a fiercely independent streak. She identifies with “Roseanne,” an earth-mother comedienne.
Darlene: Female – Late teens to Early 20s. A young woman from the deep South. She is pretty, sweet, and simple. A young woman who grew up in a coal mining town in West Virginia and the Mississippi Delta.
Sue Ellen: Female – 30s. A Los Angeles career woman. She is a “citified” country girl. Smart, very attractive, sexy and frustrated, she dances, roller skates, and twirls baton (if possible).
Rehearsal Period: February 1 – March 19
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.
May 1 – 24, 2026
Mainstage
Directed by Niko Stamos
Music Directed by Spencer Crosswell
Choreography by Rachel Erickson
Rehearsal Period: March 30 – April 30
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.
June 19 – July 12, 2026
Mainstage
Directed by Steven J. Heron
Music Directed by Spencer Crosswell
Rehearsal Period: May 4 – June 18
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.