Auditions

The Titusville Playhouse is an equal opportunity employer that celebrates diversity and does not discriminate based on race, religion, color, national origin, sex, sexual orientation, age, veteran status, disability status or any other applicable characteristics protected by law. The Titusville Playhouse is committed to providing access, equal opportunity and reasonable accommodation for individuals with disabilities in its employment, services, programs and activities. We want to meet performers of all backgrounds, identities and abilities, and we encourage you to audition for any role.

General Information

Thank you for choosing to audition for the Titusville Playhouse 2025-2026 season on Acceptd!

AUDITION APPLICATION LINK

PLEASE NOTE: BOTH IN PERSON & VIRTUAL SUBMISSIONS ARE REQUIRED TO FILL OUT AN ONLINE AUDITION FORM PRIOR TO THE AUDITION

(Please note the audition portal closes the final night of each round of auditions at 11:59pm)

IN PERSON AUDITION

  • Please select the production(s) to the left under “Start an Application” you are submitting for.
    • You are not required to upload audition material when auditioning in person but are welcome to submit additional material on the application.
  • In person auditions are at the Titusville Playhouse at 301 Julia Street in Titusville, FL 32796.
  • You will enter through the main entrance of the theatre to sign in.
  • Main entrance doors open 30 minutes before audition slot to assign audition number. Please sign-up for an audition slot on our Acceptd Portal. Slots are from 6:30-8:15 & 8:15-10:00 both nights.
  • You are only required at one evening of auditions. Callbacks are done, when necessary at the discretion of the production team, at the audition or in the following days.
  • There WILL be a dance call at in person musical theatre auditions.
  • For musicals, please prepare your own 32-bar cut of an appropriate song or you may choose to use a provided audition cut
  • An audition accompanist will be provided or you may use instrumental tracks via bluetooth or auxiliary cord.
  • For plays, audition sides will be provided.
  • Those who are cast will be contacted by the production team directly. All cast lists will be posted here once casting is finalized.

VIRTUAL AUDITION

  • Please select the production(s) to the left under “Start an Application” you are submitting for.
    • You are required to upload audition material when auditioning in person but are welcome to submit additional material on the application.
  • When filling out the application please do so to the best of your ability. Those who are cast will be contacted by the production team directly. All cast lists will be posted here once casting is finalized.

STIPEND POLICY

  • Every adult actor will receive a travel stipend at the end of the show’s run with a $1,000 guarantee for Mainstage productions & $500 guarantee for Stage 2 productions.
  • Every child actor will receive a $75 scholarship to the Rising Stars education program.
  • Titusville Playhouse, when needed and able, will offer Equity guest contracts to members of the union/non-union out-of-town guest artist contracts.

 

Please call the Titusville Playhouse at 321-268-1125 or email audition@titusvilleplayhouse.com with any audition-related questions. Thank you!

For technical questions, please visit the Acceptd Help Desk.

Audition Dates

March 23 & 24: Spring Awakening & 1776

AUDITION APPLICATION LINK

(Please note the audition portal closes the final night of each round of auditions at 11:59pm)

Audition Sides

  • For musicals, audition sides will be provided with the audition cut mp3, but feel free to prepare your own 32-bar cut of an appropriate song.
    *Sides will not be taught at the audition, please familiarize yourself with the mp3 instrumental.
  • Children must used provided audition cut for the audition.
  • An audition accompanist will be provided or you may use instrumental tracks via bluetooth or auxiliary cord.
  • For plays, audition sides will be provided at the audition

Audition Sides Available Here

Available Two Weeks Before the Audition

Show Information

Hairspray

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January 16 – February 15, 2026
Mainstage 

Directed by Niko Stamos
Music Directed by Spencer Crosswell
Choreography by Ciera Livermore

Tracy: Anneliese Banks (she/her)
Corny Collins: Dennis Pisarz (he/they)
Edna: Steven J. Heron (he/him)
Penny: Melissa Berardelli (she/they)
Velma: Holly Fuller (she/her)
Amber: Daniela Gomez-Dugan (she/her)
Link: Carson Skidmore (he/him)
Tammy/Hefty Staff/Hooker: Madelynn Roberts (she/her)
Brad/Council Mother: Aidan (AJ) Halsey (he/him)
Fedner/Council Mother: Noah McAmis (he/him)
Brenda/Beatnik Chick/Hefty Staff: Viviana Barbaro (she/her)
Sketch/Council Mother: Ethan Verderosa (he/him)
Shelley/Hefty Staff/Hooker: Emma Howard (she/her)
IQ/Council Mother: Kip LeBlanc (he/him)
Lou Ann/Hooker 2/Hefty Staff: Edina Minyard (she/her)
Seaweed J. Stubbs: Isaiah Bussey (he/him)
Little Inez: Shariah Brown (she/her)
Motormouth Maybelle: Nakiiya Coleman (she/her)
Wilbur Turnblad/Bum: Frank Thompson (he/him)
Prudy/Gym Teacher/Matron/Police Officer: Dana Vinci (she/her)
Mr. Pinky/Harriman F. Spritzer/Principal/Police Officer/Guard/Flasher: Kevin McCaughin (he/him)
Gilbert/Thad: Ta’ryus Wilkinson (he/him)
Stooie/Duane: Stanley Taylor (he/him)
Judine: Raven Lawrence (she/her)
Kamilah/Cindy Watkins/Motormouth Understudy: Makaylah Largent (they/she/he)
Shayna/Lorraine: Rebecca Tilus (she/her)

I Love You, You’re Perfect, Now Change

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February 13 – 22, 2026
Stage 2 

Directed by Kenney M. Green-Tilford
Music Directed by Spencer Crosswell

Man 1 – Christopher deJongh
Man 2 – Jonah White
Woman 1 – Delaney McGough
Woman 2 – Ashley Karolys Powell

The Prince of Egypt

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March 6 – April 12, 2026
Mainstage 

Directed by Steven J. Heron
Music Directed by Spencer Crosswell
Choreography by Kenney M. Green Tilford

A Note from Authors on Casting: From the very beginning of working on The Prince of Egypt theatrical musical, we wanted to tell a universal story that spans all racial and ethnic divides, and so we always felt it was important to have a diverse cast whenever possible. In the various productions up to date, we have had a Sri Lankan Moses, a Filipino Tzipporah, a Palestinian Tzipporah, a black Ramses, a Chinese Keturah, and countless other permutations. The point is that anyone, no matter what their background, can play any role. In many productions, our diverse casts have tripled as Egyptians, Hebrews and Midianites. And in all our productions, we have found that audiences have wholeheartedly embraced and enjoyed this idea of inclusion. That’s a central message of The Prince of Egypt: in the end, when we strip away the circumstances of our birth and upbringing, we are all the same as members of the human race. We hope you will embrace this universal story and make it your own, bringing the musical and the message to your own community. – Philip LaZebnik and Stephen Schwartz

Moses: Playful, but with a soulful core. Ages throughout the show. He begins the show as a devil-may-care young man, a bit of a clown and playboy, secure in his privileged identity as a prince of Egypt. But after his devastating discovery that he was born a slave, he grows into the strong and compassionate leader of the Hebrew people. A high tenor (sings up to Bb) with a thrilling voice and large range. Male. 18-39. Bb2-A4
Ramses: A prince of Egypt, heir to the throne, who ages throughout the show. He loves his brother Moses, but is also quite competitive with him, since Moses’s winning personality continually puts him in the shade. His father expects a great deal from him as the future Pharaoh, and Ramses is wracked by self-doubt. Through trials of great pain over the course of the show, he ultimately becomes a great leader of the Egyptians. A strong tenor (sings up to G#), but with a well-developed lower range. Male. 18-39. Bb2-A4
Yocheved: Moses’s Hebrew mother. She sets her son afloat in a basket on the Nile in order to save him from the Egyptian soldiers. Rich alto voice, sings in Hebrew and English. Female. 20-39. G3-E5
Young Miriam: Moses’s Hebrew sister. Good singing voice. Female. 8-11. G3-C5
Tuya: Regal, wise, deeply loving. She always wanted another son after Ramses was born, and believes Moses was a gift from the gods. Over the course of the show she changes from being a vibrant, clever, and even playful woman to a broken creature devastated by the loss of her adopted son. Rich alto voice. Female. 35-55. G3-E5
Seti: The Pharaoh of Egypt. Commanding, carries himself with great dignity and authority. As a young man, he brought Egypt back from the brink ofcivil war. He is a great general and still leads his army into battle. He loves his sons deeply,but he loves Egypt more and everything he does is to protect and preserve his country.A low baritone/bass. Male. 50-69. B2-E4
Hotep: The High Priest of Egypt. Though pompous and self-important, he is deeply committed to the ancient gods of Egypt and above all fears the heresy of the one god which brought down the previous dynasty. His support is crucial to the well-being of the 18th Dynasty. He despises Moses for his lack of reverence and seeks to preserve the Egyptian hierarchy at all costs. Strong baritone. Male. 50-65. G#2-F4
Tzipporah: A Midian princess, fiery and rebellious, who ages throughout the show. She is full of spirit and strength, and wants nothing more than for her people to be free. Deeply committed to her family, and eventually to her love for Moses. Must have a thrilling high belt, but also a well-developed and beautiful mix; must also dance well. Female. 18-39. Ab3-E5
Miriam: Moses’s Hebrew sister. Devout, unswerving, simple-hearted, optimistic. A prophetess. She believes in God and in Moses as the Deliverer and never wavers in her faith in both. Strong rich belt. Female. 25-45. G3-Eb5
Aaron: Moses’s Hebrew brother. Intellectual, sardonic, skeptical, funny. Aaron has reached an accommodation with his life as a slave; he makes a joke of everything to diminish the pain. Aaron is the last Hebrew to believe in Moses; when Moses returns to Egypt and confronts Ramses, asking him to let his people go, Aaron’s skepticism is borne out when the Hebrews’ labor is doubled. But when Aaron is finally won over, he becomes Moses’ most loyal follower. Tenor or high baritone. Male. 22-40. B2-G4
Nefertari: Ramses’s wife and his Queen of Egypt. Imperious and haughty. Scion of an ancient royal family, she is keenly aware of her position and her importance to the dynasty. She is supremely self-confident and looks down upon Ramses as a member of an upstart family. But at the end, her heart is broken by the death of her son and she reveals her humanity and love for Ramses. Strong rich belt, high alto. Female. 20-39. B3-D5
Jethro: The High Priest of Midian and Tzipporah’s father. A powerful, wise presence, exuding a joy of life and a deep empathy for others. Full of love and buoyancy, with a deep spiritual center. A high baritone (must sing up to G) with a strong warm voice. Male. 50-65. A2-G4
Leah: One of Tzipporah’s younger sisters. Feisty and willing to fight when threatened. Good-humored, she and Keturah think their older sister is a bit of a head case, and they happily welcome Moses into their tribe. Female. 11-14. B3-C#5
Keturah: One of Tzipporah’s younger sisters. Feisty and willing to fight when threatened. Good-humored, she and Leah think their older sister is a bit of a head case, and they happily welcome Moses into their tribe. Female. 15-16. B3-C#5
Ensemble: Singers and dancers who portray Hebrew slaves, members of the Egyptian court, Priests, and Midianites.

Rehearsal Period: January 18 – March 5
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.

Honky Tonk Angels

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March 20 – 29, 2026
Stage 2 

Directed by Niko Stamos
Music Directed by Spencer Crosswell

Angela – Ashley Wilcox Garland

Darlene – Holly Fuller

Sue Ellen – Angela Tims

Spring Awakening

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May 1 – 24, 2026
Mainstage 

Directed by Niko Stamos
Music Directed by Spencer Crosswell
Choreography by Rachel Erickson

Wendla: Innocent. With every passing day, she grows more curious about the world around her and her changing body. Both vulnerable and a willing participant in her evolution. Explores her newly-found sexuality with Melchior. Female. 15-20. E3-E5
Melchior: A smart, headstrong boy who refuses to bow down to society’s rules. An atheist and radical student. Struggles with his intense feelings for Wendla and his awakening sexual urges. Male. 15-20. G2-B4
Martha: A schoolgirl who faces constant physical abuse from her father. She harbors a secret crush towards Moritz. Female. 15-20. E3-E5
Moritz: Melchior’s best friend, a troubled student. He desperately tries to please his father, but always seems to disappoint him. His haunting sexual dreams and academic failures eventually drive him to suicidal thoughts. Male. 15-20. C3-A4
Thea: Wendla’s best friend. A schoolgirl who tries to stay innocent and pure. Female. 15-20. E3-E5
Hanschen: A rather narcissistic schoolmate of Melchior’s. He is comfortable with his own sexuality and uses his looks and intelligence to captivate Ernst. Optional Doubling as RUPERT. Male. 15-20. Ab2-D5
Anna: A German schoolgirl and Martha’s best friend. Optimistic and a bit naive, she has a difficult time understanding Martha’s trials. Female. 15-20. E3-C5
Ernst: A schoolmate of Melchior’s. Naive and easily manipulated, which allows him to fall in love with Hanschen. Optional Doubling as REINHOLD. Male. 15-20. Ab2-A4
Ilse: Martha’s sister, who was also abused and has run away from home to live in an artists’ colony. She reaches out to her old friend Moritz in the last moments of his life. Female. 15-20. E3-E5
Georg: A clumsy schoolmate of Melchoir’s. He is overcome with his feelings for his piano teacher. Optional Doubling as DIETER. Male. 15-20. Ab2-D5
Otto: A classmate of Melchior’s. He struggles with feelings he considers inappropriate. Optional Doubling as ULBRECHT. Male. 15-20. Ab2-D5
Adult Woman: Plays a variety of rigid adult roles. Characters include: FRAU BERGMAN, Wendla’s mother; FRAULEIN KNUPPELDICK; FRAULEIN GROSSEBUSTENHALTER; FRAU GABOR, Melchior’s mother; and FRAU BESSELL, Martha’s mother. Female. 40-50. D3-A4
Adult Man: Plays a variety of rigid adult roles. Characters include: HERR SONNENSTITCH, the boys’ teacher; HEADMASTER KNOCHENBRUCH; HERR NEUMANN, Ilse’s father; HERR RILOW, Hanschen’s father; HERR STEIFEL, Moritz’s father; FATHER KAULBACH; DOCTOR VON BRAUSEPULVER; HERR GABOR, Melchior’s father; and SCHMIDT. Male. 40-50. D3-F4

Rehearsal Period: March 30 – April 30
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.

1776

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June 19 – July 12, 2026
Mainstage 

Directed by Steven J. Heron
Music Directed by Spencer Crosswell

John Adams: Delegate from Massachusetts. John is a dutiful husband. Opinionated, passionate, and a bit boisterous, he wears his age with pride. Starving for independence from England. Male. 41. C3-F#4
Stephen Hopkins: Delegate from Rhode Island. Hopkins’ drinking has led to an appearance befitting of the 2nd oldest in the Continental Congress. He has a dirty old man playfulness about him. Male. 70. C3-Eb4
Roger Sherman: Delegate from Connecticut. A coffee drinker with a penchant for hyperactivity, Sherman is a simple and balding cobbler. Male. 55. C3-Bb4
Robert Livingston: Delegate from New York. Recently a father, Livingston’s disposition has become one of humility and graciousness. He has changed considerably over the years. Male. 30. Bb2-F4
Benjamin Franklin: Delegate from Pennsylvania. Franklin is intelligent, well-traveled, and pleasantly cunning. A jolly and admirable fellow with whom one would desire to have a friendship. Male. 60-70. Ab2-Eb4
John Dickinson: Delegate from Pennsylvania. A thin, hawkish gentleman. He is sharp-tongued and a touch detestable. Male. 44. A2-E4
Col. Thomas Mckean: Delegate from Delaware. McKean is florid and likable with a charming, yet commanding, Scottish Brogue. Male. 42. C3-Eb4
Richard Henry Lee: Delegate from Virginia, Lee is a willowy aristocrat. His flamboyancy is intoxicating and borderline infuriating. Male. 45. C3-G4
Thomas Jefferson: Delegate from Virginia. Though noticeably tall, Jefferson is mild-mannered and sweet. Along with being a well read man, he is very much in love with his wife. Male. 33. C3-G4
Edward Rutledge: Delegate from South Carolina. Despite his good looks, Rutledge is haunting and somewhat ominous as the youngest member of the Continental Congress. There is a serpent-like quality to him. Male. 26. C3-A4
Abigail Adams: Loving wife to John Adams. Intelligent, quick-witted, and talented with a pen, Abigail is a radiant and shapely beauty. Every bit as bright as her husband. Female. 32. Db4-F5
Martha Jefferson: Thomas Jefferson’s very-much-in-love wife. Her looks are striking, her dancing delightful, and her humor appealing. She doesn’t shy away from a good time. Joy radiates from her. Female. 27. Bb3-D5
Courier: The message runner between General Washington’s army and the Continental Congress. He has witnessed the hardships of war firsthand, although his innocent disposition and appearance may imply otherwise. Male. 15-20. C3-Db4

Rehearsal Period: May 4 – June 18
Rehearsals are typically Sunday-Thursday evenings (6:00-10:00) and actors are only called when needed.